You look in disbelief at Shilo’s faint smile as the incredible glow she exudes fades to nothing. Your heart sinks as you watch her body fall to the ground with a dead weight that you’ve seen entirely too often in the past few days. Your mind rings with the years of information that have just made their way into a mind far younger than the information itself just as you realize that this was your sister. Instantly, you continue your run to her side, your eyes filling with tears, even as you come into concurrence with reality that Shilo is, in fact, dead. The glow in her eyes is gone as you drop to her side and lift her head, that smile still present on the face which has been emptied of life.

Words fail to reach your lips. You aren’t sure how long it is that you sit there, the smell of blood filling the lobby as the chill sets in. The room had been warmed by the battle, but now, its stagnance returns the former temperature to place as your eyes drain all tears from you. Your breathing becomes erratic as your nose runs with grief. Finally, a flimsy wail begins to make its way out of your throat. Any need for pomp and circumstance has just vanished from your world, which has grown geometrically in the past few days. Tears, snot, and noise emanate from you without apology as your grief and anger at the world are released, your own glow burning brightly. As you approach a brighter glow than you’ve ever released, however, a voice in your mind whispers softly, ‘Stop.’

Your glow fades to its normal level instantly, and you sniffle as you recognize the voice: Shilo. You look down at her body, sniffling again, your eyes searching her own for some sign of life. There is none. Death is your only greeter on the other side of those doors. Nevertheless, you reach out in all directions with your own mind, screaming soundlessly into the void, ‘Shilo?! Are you there?’

For a few moments, you look about yourself, holding Shilo’s empty frame with shielding arms. But then, ‘Of course I’m not here, you silly girl, but did you think I’d leave you all by yourself?’ You can’t make sense of it, but surely there’s some explanation. Shilo is dead, but that voice is Shilo’s, too. How can that be? Then, the voice speaks again from inside your own mind, ‘Look, I know this doesn’t make a lot of sense, but with the amount of my mind I gave you, there’s bound to be a certain residual amount of me left over in it. Now get up. We have to get you off this planet.’

You stand, setting Shilo’s head on the marble floor. She’s right, or you are. You suppose they’re really your own thoughts based on Shilo’s residual personality ingrained into the associated information. Nevertheless, it’s good to hear her voice, at least, and you take the time you need to reach the entrance to your home to sort through some of that information. You realize it’s mostly memories, but some of it is schematics, training, and technical information that would have taken years to learn. There are techniques for breathing, and you think you can catch a passing glimpse at a special type of sleep, but then you reach the room with all the gadgets and gizmos Daddy had left behind.

Looking at the room with new eyes, you see weapons and armors you never would have recognized before. Farther along, toward the back of the room in a more dimly lit section, you see a glint of metal. Moving your way toward the glint, you stop here and there to grab new weapons and refasten better armor. Your healing has almost finished when you reach the back wall. The glint is behind it. How did it–?

‘Bioswitch,’ Shilo’s voice says. At that moment, you notice a small, dusted-over switch in the darkest corner of the room. You brush off the panel, lick your thumb deftly, and press it against the switch until you hear a light beep. A panel lifts slowly, a motor whining weakly as you begin to see a small hole behind the panel. There is no lever to indicate a larger door, but the hole seems small enough that you could squeeze through it. You bring yourself down to all fours and scoot your way through the hole.

Once through, you look up and see an old dipulse: an early form of pulsecar that was designed with two primary pulse engines that rotated freely as opposed to the now-standard eight with up to twenty stabilizers. The skill required to pilot a dipulse was compared with that required to pilot a fighter ship. Well, that’s odd. You didn’t know that at all before. The wonderment at the novelty of such knowledge is soon drowned by a renewed grief over Shilo’s departure, which is followed by Daddy’s, and that by Mommy’s. You’re very nearly overwhelmed by the emotions when you hear Shilo’s voice call out, ‘Not yet, Keri. You can grieve later. You need to get off the planet now.’

She’s right. Or, rather, you are. You decide it’s best just to think of it as Shilo and not yourself for now. It might comfort you enough to make it off this world which has so long been your home. Casting that thought aside, you start looking for a way to exit the room with the dipulse. As you do so, you realize that you do not expect any difficulty piloting the vehicle and that you are quite aware of how to reach the docks from here. Thanking Shilo just as her voice points out a mechanical lever on the opposite end of the room from where you were even looking, you turn about and remind yourself to be more aware of the wider view allotted to you by these helmets.

Jumping up a couple of times, you finally manage to reach the lever with a bit of glow, and your weight pulls it down with a loud clacking sound. A chaotic grind can be heard from inside the wall as, to your surprise, it lowers instead of rising. You blink once or twice before making your way back to the dipulse, noticing that with the lowering outside wall, the wall to the rest of the armory rises, and the wall into the apartment slides back. WIth a sudden realization, you realize that the pictur
es are still inside, and you use a bit of glow to ensure you beat the slow-moving walls in and back out of the apartment, the boxes which have become entirely priceless to you held firmly in your grasp.

You make your way back to the outer room and begin to load up for your trip. The first things you load into the dipulse are the boxes of pictures, followed by the choice weapons and tools Shilo had noticed on her first pass through the armory. You even mount a few specialized weapons onto the dipulse before firing its engines, their familiar, low pulse providing a small comfort as you prepare to make your way to the docks, where Valkyr 2 is awaiting small repairs whose associated damages had resulted in its pilots’ deaths. ‘Let’s go,’ Shilo’s voice echoes into your mind. ‘You’re going to have to drive, though.’ You suppress an urge to roll your eyes and grin. Maybe Shilo isn’t as gone as you thought.